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Volunteer Content Entry

Volunteer Content Management Add New Artifact Test Artifact Half Century of Japanese Artists in New York at Azuma Gallery: Planning Document and Exhibition Booklet Norio Araki Japanese Businessmen Arrive on the Oceanic Morimura Brothers Store on Broadway, 1893 The oldest article believed to be written by Asahi Shimbun’s New York correspondent The Japanese Ambassadors A Mainichi Newspaper Correspondent Returns to the United States after WWII Nippon TV broadcasts live via satellite from its New York studio to Tokyo

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Supporters Consulate General of Japan in New YorkDaiwa Capital Markets America, Inc.Deloitte LLPDLI North America, Inc.ENEOS Americas, Inc.IHI Americas, Inc.Itochu International Inc.ITOEN (North America), Inc.JA Mitsui Leasing Capital CorporationJ.C.C. FundKDDI America Inc.KPMG LLPMarubeni America CorporationMitsubishi Corporation AmericasMitsubishi Chemical Holdings AmericaMitsubishi Estate New York, Inc.Mitsubishi Gas Chemical America, Inc.Mitsubishi HC Capital (USA), Inc.Mitsui & Co. (U.S.A.), Inc.Mitsui Chemicals America, Inc.Mitsui Sumitomo Marine Management (U.S.A.), Inc.Mizuho AmericasMUFG Bank Ltd.Nippon Life Insurance CompanyNomura America FoundationNTT AmericaNYK Group Americas, Inc.ORIX Corporation USASMBC Global Foundation, Inc.Sojitz Corp. of AmericaSumitomo Corporation of Americas FoundationSumitomo Mitsui Trust Bank, LimitedTokio Marine America

寄付

Donate Since its launch in 2021, the Digital Museum has been perceiving and publishing underrepresented fascinating stories of Japanese and Japanese Americans that contributed to the rich history and culture of New York and Northeastern part of the United States. Please write “Japan History Council” or “Digital Museum” in the note. If you would like to donate  by check, please make a check payable to: The Japanese American Association of New York, Inc.  49 West 45th Street, 11th FloorNew York, New York 10036 Please note “Japan History Council” or “Digital Museum” in memo.  

Board Members

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Artworks in Gacho-kai Exhibition

1921 Gacho-kai Exhibition Fig. 7. T.K. Gado, FamilyFig. 8. T.K. Gado, Rush Hour in SubwayFig. 9. T.K. Gado, Rush Hour in SubwayFig. 10. Masaji Hiramoto Previous slide Next slide The Gacho-Kai exhibition featured Western paintings influenced by realistic techniques and modernism, as opposed to the works that pandered to Oriental tastes for commercial purposes that were criticized during the Japan Art Association’s exhibitions in the 1910s. As such, the exhibition was intended to showcase the work of Japanese who had studied art in the region and to introduce both the Japanese community and the American community in New York City to the ways in which they had mastered the techniques […]

April 1940 American Artists’ Congress 4th Annual Exhibition

April 1940 American Artists’ Congress 4th Annual Exhibition Fig. 122. Sakari Suzuki, “Landscape”Fig. 123. Chuzo Tamotzu, “Problem” Previous slide Next slide The fourth annual American Artists’ Congress exhibition was held in April 1940 and included works by Yasuo Kuniyoshi, Eitaro Ishigaki, Chuzo Tamotzu, Sakari Suzuki, and Thomas Nagai. Two of these works, Suzuki Sakari “Landscape” (Fig. 122) and Chuzo Tamotzu “Problem” (Fig. 123), are the only identifiable works from the exhibition. The Fourth Annual Exhibition in 1940 is considered the last annual exhibition of the Congress of American Artists. Following the Soviet invasion of Finland in the year prior to the exhibition, disagreements deepened within the organization between communists and […]