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Volunteer Content Entry
Volunteer Content Management Add New Artifact Test Artifact Half Century of Japanese Artists in New York at Azuma Gallery: Planning Document and Exhibition Booklet Norio Araki Japanese Businessmen Arrive on the Oceanic Morimura Brothers Store on Broadway, 1893 The oldest article believed to be written by Asahi Shimbun’s New York correspondent The Japanese Ambassadors A Mainichi Newspaper Correspondent Returns to the United States after WWII Nippon TV broadcasts live via satellite from its New York studio to Tokyo
Half Century of Japanese Artists in New York 1910-1950 at Azuma Gallery: Planning Document
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Donate Since its launch in 2021, the Digital Museum has been perceiving and publishing underrepresented fascinating stories of Japanese and Japanese Americans that contributed to the rich history and culture of New York and Northeastern part of the United States. Please write “Japan History Council” or “Digital Museum” in the note. If you would like to donate by check, please make a check payable to: The Japanese American Association of New York, Inc. 49 West 45th Street, 11th FloorNew York, New York 10036 Please note “Japan History Council” or “Digital Museum” in memo.
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コレクション
Artworks in Gacho-kai Exhibition
1921 Gacho-kai Exhibition Fig. 7. T.K. Gado, FamilyFig. 8. T.K. Gado, Rush Hour in SubwayFig. 9. T.K. Gado, Rush Hour in SubwayFig. 10. Masaji Hiramoto Previous slide Next slide The Gacho-Kai exhibition featured Western paintings influenced by realistic techniques and modernism, as opposed to the works that pandered to Oriental tastes for commercial purposes that were criticized during the Japan Art Association’s exhibitions in the 1910s. As such, the exhibition was intended to showcase the work of Japanese who had studied art in the region and to introduce both the Japanese community and the American community in New York City to the ways in which they had mastered the techniques […]
April 1940 American Artists’ Congress 4th Annual Exhibition
April 1940 American Artists’ Congress 4th Annual Exhibition Fig. 122. Sakari Suzuki, “Landscape”Fig. 123. Chuzo Tamotzu, “Problem” Previous slide Next slide The fourth annual American Artists’ Congress exhibition was held in April 1940 and included works by Yasuo Kuniyoshi, Eitaro Ishigaki, Chuzo Tamotzu, Sakari Suzuki, and Thomas Nagai. Two of these works, Suzuki Sakari “Landscape” (Fig. 122) and Chuzo Tamotzu “Problem” (Fig. 123), are the only identifiable works from the exhibition. The Fourth Annual Exhibition in 1940 is considered the last annual exhibition of the Congress of American Artists. Following the Soviet invasion of Finland in the year prior to the exhibition, disagreements deepened within the organization between communists and […]