Artworks in Gacho-kai Exhibition
1921 Gacho-kai Exhibition Fig. 7. T.K. Gado, FamilyFig. 8. T.K. Gado, Rush Hour in SubwayFig. 9. T.K. Gado, Rush Hour in SubwayFig. 10. Masaji Hiramoto Previous slide Next slide The Gacho-Kai exhibition featured Western paintings influenced by realistic techniques and modernism, as opposed to the works that pandered to Oriental tastes for commercial purposes that […]
April 1940 American Artists’ Congress 4th Annual Exhibition
April 1940 American Artists’ Congress 4th Annual Exhibition Fig. 122. Sakari Suzuki, “Landscape”Fig. 123. Chuzo Tamotzu, “Problem” Previous slide Next slide The fourth annual American Artists’ Congress exhibition was held in April 1940 and included works by Yasuo Kuniyoshi, Eitaro Ishigaki, Chuzo Tamotzu, Sakari Suzuki, and Thomas Nagai. Two of these works, Suzuki Sakari “Landscape” […]
1939 The Third Annual Exhibition of the American Artists’ Congress
1939 The Third Annual Exhibition of the American Artists’ Congress Fig. 117. Eitaro Ishigaki, “Amazons” (Exhibited in the Third Annual Exhibition of the American Artists’ Congress in 939)Fig.118 Eitaro Ishigaki “Amazons.” (Currently collection of Museum of Modern Art, Wakayama)Fig. 119. Chuzo Tamotzu, “Where the Cherry Trees Bloom”Fig. 120. Thomas Nagai, “Broken Cart”Fig. 121. Sakari Suzuki, […]
1937, 1938 First and Second Annual Exhibition of the American Artists’ Congress
1937, 1938 First and Second Annual Exhibition of the American Artists’ Congress Fig. 102. Yasuo Kuniyoshi, “Odd things on Table”Fig. 103. Eitaro Ishigaki, “K.K.K.”Fig. 111. Thomas Nagai, “Art Class”Fig. 112. Sakari Suzuki, “Landscape”Fig. 110. Eitaro Ishigaki, “Victim of War” Previous slide Next slide In addition to special exhibitions, the American Artists’ Congress held four annual […]
June 1938 New York Municipal Art Association Exhibition
June 1938 New York Municipal Art Association Exhibition Fig. 114. Chuzo Tamotzu, “Gas Tanks and Flowers”Fig. 115. Eitaro Ishigaki, “Victim of War”Fig. 116. Eitaro Ishigaki, “Flight” Fig. 113. Yasuo Kuniyoshi, “Lay Figure” Previous slide Next slide In addition to the government-sponsored WPA art projects during the Great Depression, New York City organized opportunities for artists. […]
Mount Morris TuberculosisSanatorium (Livingston, NY)
Mount Morris Tuberculosis Sanatorium (Livingston, NY) Fig. 87. Yosei Amemiya, “Snug Harbor”Fig. 88. Roy Kadowaki, “Country Construction”Fig. 89. Roy Kadowaki, “Japanese Garden”Fig. 90. Roy Kadowaki, “Japanese Plant”Fig. 91. Roy Kadowaki, “Flower Arrangement”Fig. 92. Roy Kadowaki, “Flower Still Life” Previous slide Next slide Oil paintings, watercolors, and lithographs produced by the WPA’s easel division were also […]
Eitaro Ishigaki and SakariSuzuki’s Mural Project
Eitaro Ishigaki and Sakari Suzuki’s Mural Project Fig. 79. Eitaro Ishigaki, “Harlem Courthouse Mural(A part of the Emancipation of Slaves)”Fig. 80. Eitaro Ishigaki, photo taken at the time of the mural painting.Fig. 81. Eitaro Ishigaki, photo taken at the time of the mural painting.Fig. 82. Eitaro Ishigaki, photo taken at the time of the mural […]
The Public Works of Art Project
The Public Works of Art Project Eitaro Ishigaki and Sakari Suzuki’s Mural Project See Artworks > Mount Morris Tuberculosis Sanatorium (Livingston, NY) See Artworks >
1936
1936 Japanese Art Exhibition sponsored by The New York Shimpo Fig. 77. Kikuta Nakagawa “Broken Romance” In 1936, the New York Shimpo held another Japanese Art Exhibition.The announcement for the exhibition stated, “Last year, we, an organization of artists, collected works from the general public and held the so-called ‘Japanese Art Exhibition,’ which generated a […]
1935
1930s Japanese Art Exhibition sponsored by the New York Shimpo Fig. 70. Eitaro Ishigaki, “Unemployed”Fig. 71. Thomas Nagai, “Interior”Fig. 72. Yasuo Kuniyoshi, “Fruits on the Table (Still Life)”Fig. 74. Soichi Sunami, “Hay Stack”Fig. 75. Bumpei Usui, “Kuniyoshi House in Woodstock” （Interior）Fig. 76. Bumpei Usui, “Landscape Viewed from Kuniyoshi’s Living Room”(Landscape)Fig. 77. Kikuta Nakagawa “Broken Romance” […]
